Jerusalem is the end of my charrette journey. Jerusalem is also an apt place to try to make sense of what I have experienced during the last week. One day of course does not do this city even remote justice. But like everything else in Israel the time walking through this ancient and now modern urban center affords an opportunity to both confirm stereotypes, shatter them and bring to conclusion my thoughts about Kiryat Shmona. I am fortunate to be met by former Urban Studio employee, architect and urban designer Michal Braier who now lives and works in Jerusalem, and she graciously spends the day showing me this ancient City. During the course of the day I tell her what I have been doing in Kiryat Shmona and she tells me about what she is working on in Jerusalem. I find there is much in common.
First we overlook the City as a whole from the Mount of Olives. Most impressive here are the views back towards the Old City and below to the tens of thousands of Jewish graves climbing the sides of this hill. In the distance there are more hills and Michal points out the partially completed barrier fence that is gradually cutting off Arab and Palestinian areas from the city proper. part of her work involves working in these locations. Like an incomplete Berlin wall it snakes over hills and at times right through neighborhoods and down the middle of roads. As we walk from east to west and north to south Michal also points out throughout the day the locale of the 1967 border with Jordan that was dissolved by history’s events. Between these two lines you are in the zone of very current affairs and there is a sense of tension. While one can go anywhere between these lines and there is no immediate threat there is also a consciousness of place versus safety that we maintain; once we do a u-turn on a street, another time we circle around to reach our destination. Both time Michal utters that maybe this is not the best way to get to our destination. This is not that different then the care one takes as a stranger in any other big city but here the issues seem magnified by the certainty of larger concerns.
We move on from the Mount of Olives to the Old City proper and find ourselves moving down narrow passageways, often covered, towards the Western Wall and Temple Mount. The Old City is a living city, a religious theme park, a middle eastern market place, a holy religious compound containing churches, mosques and temples and it is all piled up and compressed together behind five hundred year old defensive walls. Here and there because of the constant shifting grade there are sudden vistas outside the ancient walls to settlements on the surrounding hills. There are also everywhere the backdrops that are the props of the evening news. The difference here versus watching it on TV is that in person these familiar sights resist a singular newsworthy narrative. Jerusalem is cacophonous and multi-layered and in person the City and its people resist definitional singularity.
Christian quarter, Muslim Quarter, Jewish Quarter and all color of nationalistic variations come together in the Old City. The ancient mixes with the new and as much as anything else the sound tells the story. First the light tap of feet moving down the stone pathways though the market ways and by the stalls. Many of the people in the Old City are moving en mass to rhythms based upon religious devotion. There is also the broadcast of prayers over speakers from the Dome of the Rock and Al-Asqa Mosque that are heard before they are seen. Upon broadcast more feet move from the market to the mosque. Later in the day there is the siren calling the observant to Shabbat. There is also the ring of church bells. Towards noon two-thirds of the shops are shuttered, some left open and guarded by young children. While a third of the stalls remain open we do not buy anything, just continue to walk, look and listen to the emptying market.
We pass through security to get to the large plaza that fronts and slopes down to the Western Wall or The Kotel. Again I am struck by the simultaneity of the space. We are standing below the Dome of the Rock at the foundation of the Temple. Islamic prayers float above us. People of every stripe and color move about. We move right up to the last fence and face the 2000 year old wall before us; men to the left and women to the right. There is intense devotion observed in this precinct and I do not feel it is proper to go any closer though there is no real reason to stop. We head back into the maze of the city.
Back within the market streets, most only fifteen feet wide, we circle around and past stalls and through passages and up and down stairs looking for the the Church of the Holy Sepulcher. This site is at best a ten minute ambling walk from the Western Wall but it takes us longer to find our way what with wrong turnb and a sense of increasing disorientation. In movies and history all of these sites, perhaps for dramatic effect, seem very far apart and separated by open space and vistas. Maybe they were thousands of years ago but now they all sit on top of each other. The navel of the world, David’s Temple, Mohammed’s ascent, Jesus’s crucifixion, all these occur within yards of each other and the proximity requires willing understanding, immediate grace and patience if it is ever to be untangled.
While everyplace in Israel is clad in the ubiquitous local rock, in Jerusalem the presence of creamy limestone seems even more prevalent. Sometimes it is smooth. Other times cleft. Still other times shot or lined. It comes as pavers, slabs and bricks of every shape and size. It is stacked, clad and laid on every horizontal and vertical surface. The pale combinations and degrees of yellow, ochre and white is ubiquitous. Giant retaining walls support the hills of the city. Ancient buildings are created by progressively smaller blocks establishing walls, columns, vaults and arches. The stone is the one thing that creates a sense of continuity for me. Everything else is a jumble. Perhaps understanding how we commonly build provides a gateway to some type of larger understanding.
During the day Michal explains the complexity of attempts by both Arabs and Jews to legalize properties in outer parts of Jerusalem where much of the construction is done without permits. Michal reveals her own efforts in this endevour and her frustrations of moving through a bureaucracy that is infinitely more complex than anything I have ever encountered. And of course it is complex because what is at stake with each permit granted are ever shifting definitions at the most local level of national territory and competing definitions of justice. Sometimes it is best to get a permit as quickly as possible to ensure that a neighborhood is not taken over by a different group. Sometimes it makes most sense to delay a permit forever to ensure that a pre-existing claim is not revealed. The variety of situations property by property is endless and the trust that must be struck to work in these situations has to be difficult to obtain. I admire Michal’s persistence and sense of fairness. In this work claims of community comes up against national stability and from my distance as a foreigner nationalism in Jerusalem of course typically trumps community. Or does it always and until the end of time?
Perhaps what is most impressive about Israel is that in the space of 60 years they have built a nation complete with national institutions, infrastructure and a deep sense of purpose. By all accounts and observation this exercise has reached an advanced state and Israel, for all its cultural uniqueness and specificity, is similar in its state of development to many other first world countries. Most remarkable is the sense of stability and well-being that one experiences despite the daily pressures of difference and conflict that are everywhere around.
My sense is that a turn towards the organization of local issues as represented by the Kiryat Shmona charrette as well as the struggle of Arabs and Jews to legalize individual properties in contested territories of Jerusalem is a reflection of an emergent reality that if nurtured carefully portends well for the future despite the difficulty and sometimes terror of the present. A public design charrette such as the one in Kiryat Shmona is an opportunity for people to empower themselves with plans and take control of their own future, to stop relying on edicts from above telling them how and where to live everyday life. Likewise, the desire to obtain legal status, or not, of an individual property is also an attempt to define fixity before a public eye, to stake a local claim that all see and can not deny, in essence a first step towards community rights within a context of shifting boundaries. While the latter is more complex than the former both bespeak involvement in the nitty gritty details of urbanism.
Perhaps for too long there has been an assumption that larger issues of national import within this mixed up modern world as exemplified in Israel and adjacent Palestine sort themselves out, or not, within the halls of global diplomacy . The proposition of the charrette or the obtaining of an individual building permit is that the modern world can also be addressed through the exigencies of local community planning. The promise of the Movement for Israeli Urbanism is that it offers though the charrette an additional way of bringing diverse people together to create dialogue for their future based upon everyday as well as strategic needs.
The everyday does not exist outside of the context of the strategic but for a long time only strategic necessities prevailed in a town like Kiryat Shmona and the town gradually declined. Strategic concerns certainly shape modern Jerusalem and this city too struggles. Now for many reasons both cities have opportunities to address their respective futures through increased community actions of many types. The Movement for Israeli Urbanism facilitated this opportunity in Kiryat Shmona and in the process I think shifted ever so slightly the terms by which urban development and nation building proceeds in Israel. I feel that this is a hopeful direction for it has the possibility of building and bridging understandings amongst people, institutions and government and I am privileged to have been invited to participate in this first design charrette in Israel. I hope my small contribution to this action facilitates a path forward.
Posted in Uncategorized | No Comments »









